description

American, at college to study theatre. This is an aggressively multifandom blog. I live on fanfic, and have been known to beta, if bribed with chocolate and coffeeshop au's. If I'm not in, I'm piloting a Jaeger named Badger Queen with my sister.

Apart from fandom, I post a lot about feminism, attractive people, and fluffy animals. I tag practically everything, but if something's triggering to you, just drop me an ask and I'll tag it accordingly.

I enjoy long-stemmed roses, walks on the beach, and poking things that don't make sense with sticks.

Sidebar from here.

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“You can exist without your soul, you know, as long as your brain and heart are still working. But you’ll have no sense of self anymore, no memory, no … anything. There’s no chance at all of recovery. You’ll just — exist. As an empty shell. And your soul is gone forever … lost.” 

luke newberry as remus lupin
suraj sharma
as james potter
sophie turner as lily evans-potter
jeremy allen white as peter pettigrew
luke pasqualino as sirius black

villainoustyranny:

but if im queer

and you’re queer

then who’s the straight white protagonist who’s flying the plane?

Tagged with: #intro  #laugh tag  #jesus  

itscarororo:

makanidotdot:

lok is my fave sitcom

i wish i could see makani LoK comics behind my eyelids at all times

Tagged with: #shape your own destiny  #ART  

secretlesbians:

Depictions of Lesbianism by Henri Toulouse Lautrec

During his life, Lautrec spent a lot of time in Montmarte, the bohemian centre of 19th century Paris and home to artists, philosophers, writers, performers, and prostitutes. He spent a lot of time with the sex workers there, and discovered that many of them had intimate relationships with one another.

Lautrec’s depiction of lesbianism is particularly notable because it doesn’t fetishise sexual intimacy between women or present it as spectacle for the male gaze. Lautrec was trying to capture small, tender moments in the lives of the women he met, and he did so with humanity and sensitivity. In a world of constructed sexuality and fantasy, he finds the real relationships, and reveals to us the hidden lives of queer women in the 19th century.

Fin-de-siècle Paris was the capital of lesbianism. However, until the mid century, and despite the acknowledgment of male homosexuality, female homosexuality had been considered absurd. This scepticism was grounded in the fact that many nineteenth-century psychologists and medical professionals did not believe in female sexual impulse. Thus, when instances of lesbianism were reported in Alexandre Parent-Duchâtelet’s 1836 study of prostitution in Paris, lesbianism came to be understood as an activity associated with the Montmartre counterculture and, in particular, with prostitution. Indeed, deluxe houses of tolerance often functioned as specialty brothels that catered for a clientele with particular fetishes, such as tableaux vivants where ‘inmates, entirely naked, abandon themselves to homosexual practices on a large black velvet carpet or in rooms hung with black satin to bring out the whiteness of their bodies’. This was lesbianism as commercial spectacle, performed within a closed environment for male consumption.

Lesbianism in the public realm was a sexual preference that, while common, was negatively judged by French conservative society and for this reason was conducted with subtlety and partially obscured. In fact, many of the biggest stars of the Parisian circuses, dance halls and café-concerts were lesbian or bisexual, including Jane Avril and May Milton (whom, it is generally agreed, had a short-lived love affair), Sarah Bernhardt, Cha-u-ka-o and La Goulue. Whilst these Montmartre celebrities were depicted on multiple occasions by Lautrec, the artist chose to represent them as skilled professionals, never exploiting their sexual preference as the main focus of his compositions. So subtle was Lautrec in his treatment of these themes that art historians such as David Sweetman have gone so far as to argue that ‘It comes as something of a shock to realise that most of the women … were in fact lesbians and that quite a few were lovers. So many, in fact, that it is possible to argue that lesbianism is the hidden subtext of much of the art of Henri’s mature years.’

- from nga.gov.au

Images shown:

1. At the Moulin Rouge: The Women Dancing

2. In Bed

3. The Kiss

4. Two Friends

5. Les Deux Amies

Tagged with: #of the same stuff  #ART  
logosminuspity:

joachimmurat:

my-wayward-shawn:

dogjpeg:

randallascot:

roachpatrol:

creatures-alive:

Tando (via 500px / sleeping Tando by Hendy Mp)

what the fuck? wh a t the fuck??? what. what the fuck. 


holy shit


in english it’s called a Sunda Flying Lemur

Flying sloth. Lookit

That’s a fucking Pokemon.

swapbats I FOUND YOU!

logosminuspity:

joachimmurat:

my-wayward-shawn:

dogjpeg:

randallascot:

roachpatrol:

creatures-alive:

Tando (via 500px / sleeping Tando by Hendy Mp)

what the fuck? wh a t the fuck??? what. what the fuck. 

image

holy shit

image

in english it’s called a Sunda Flying Lemur

Flying sloth. Lookit

That’s a fucking Pokemon.

swapbats I FOUND YOU!

Tagged with: #nature what the fuck